OVERTAKE！

TROYCA官宣十周年纪念作始动决定！

守护者第二季

　　面对拥有复活能力的不死人，哈坎和忠诚帮的胜算微乎其微。唯有先发制人，他们才有希望扳倒敌人摧毁伊斯坦堡及无辜人类的邪恶计划。

聊斋志异

《聊斋志异》由三个短篇《狐谐》，《婴宁》及《花姑》组成，构思新颖，堪称开创短篇古装国语电影的先河。三个故事分别由王植波，榴照及易文三位编剧能手执笔，由导演唐煌总揽其成，各具特色之余，仍不失一气呵成之态，诚属难得。唐菁饰演风流俊逸的书生，周旋于狐妖（白冰），艳鬼（张慧娴）与仙女（陈方）之间，享尽温柔，羡煞旁人。特别值得一提莫愁饰演的反派狐妖，一场色诱唐菁的戏，性感冶艳，令人眼前一亮。

叶落情未了

方玲是一位瑜伽教师，丈夫永强是一位便衣警察，在执行任务的时候不幸牺牲了。永强在奄奄一息的时候嘱托东子照顾他的一家人，从此东子担当了照顾方玲一家的责任，在这几年里一直照顾着永强一家人，也经常替方玲接送上幼儿园的女儿琪琪，方玲婆婆是个老传统思想，看到他们总是走得这么近，婆婆便当面告诫东子不要再来家里了。东子想去找方玲问个明白，但是方玲拒绝见面，也告诉东子以后不要再来往了。最后东子用真诚感动了方玲的婆婆，婆婆同意方玲和东子走到一起，这个家终于成了一个完整的家，有情人终成眷属！

温暖的味道

　　乡村的小路上，因为工作狂和严要求而被同事“推举”出报社成为后石沟村第一书记的孙光明正在赴任的路上，进村的第一件事就是与另一辆车相撞。而肇事者正是同样刚刚来到后石沟村准备担任的后石沟村代言人徐唯一。                                                                    　　与此同时，西海市首富之子张子灏刚刚投资的“君子兰”大酒店也正举行着盛大的开业仪式，宴会之上，有二十余人竟然食物中毒，媒体随即报道出“君子兰”大酒店所有蔬菜供应都是由后石沟村直接提供的，一时间舆论四起。                                                                    　　通过孙光明美食家的身份和徐唯一新媒体宣传方面的不断努力，后石沟村的蔬菜渐渐的回到正轨，开发了民宿旅游这一项目，并结合现在国家进行精准扶贫这一政策，借助农村贷款这一优势，将村中的贫苦户逐渐带入正轨。                                                                    　　孙光明自己也悄然发生了转变，从最开始的工作狂，美食家，变成了一名合格的第一书记。而他和可爱的村民们也在不断的碰撞出新的火花……

新平家物语

　　12世纪，日本贵族和僧侣拥有大片土地，并免除赋税，而国内经济如大厦将倾，岌岌可危。京都秩序一片混乱，地方灾难频发，暴动四起。占据统治地位的藤原家族日临西山，业已逊位白河天皇从寺院复出，重新掌权。日本从此一空两日，陷入分裂。武士和僧人之间的冲突日渐加剧。                                                                    　　保延三年初，平家父子忠盛（大矢市次郎 饰）和清盛（市川雷藏 饰）率领军队剿灭海盗，立下汗马功劳。然朝内藤原氏暗进谗言，取消奖赏，令平家恼恨不已。后清盛从商人朋友口中得知自己可能为白河天皇或僧侣之子，自此陷入苦恼……                                                                    　　根据吉川英治同名小说改编。

忠奸人粤语

出身基層、道德意識薄弱的譚美貞（田蕊妮飾），為了袒護犯了法的男友（楊明飾），令自己身陷囹圄。幸得律師高哲行（郭晉安飾）在她出獄後，讓她在律師樓工作而重獲新生，並與他漸生情愫。高哲行原本是前途無限的明日之星，但被新紮幹探張立勳（吳卓羲飾）在某次追捕中所傷而成坐輪椅的殘障人士，同時成為二人犯法交易的契機。隨著高哲行連串不可告人的陰謀被揭發，張立勳感情用事，因內疚贖罪去包庇他。譚美貞最後能否背負愛情，做出正確的抉擇呢？

塞尔拉·伯格斯是废柴

Netflix全新青春励志爱情喜剧电影，讲诉一名其貌不扬的聪明女高中生Sierra（香农·珀瑟 饰），一次偶然的机会她和一位小帅哥Jamey（诺亚·琴蒂内奥 饰）网聊相识并有了感情，而他似乎把自己当成了“万人迷”Veronica（克里斯汀·弗劳赛斯 饰），俩人越聊越投机，当他们准备视频时，Sierra只能让Veronica来当挡箭牌，不过事情终有会拆穿的一天，他们会怎样去面对这样的问题？

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

22-23赛季NBA季前赛 活塞VS鹈鹕

10月8日 22-23赛季NBA季前赛 活塞VS鹈鹕

僵尸之夜

菲利普（缇诺·麦威斯 Tino Mewes 饰）、沃斯特（曼努尔·科特兹 Manuel Cortez 饰）和柯纳德（Thomas Schmieder 饰）是校园公认的怪咖，一场车祸中，三人命丧黄泉。奇怪的是，早已被确定死亡的三人很快就复活了过来，甚至拥有了特异功能，原来，在前不久，他们参加了一个可怕的招魂仪式，身上沾染了恶鬼的骨灰而不自知，如今，重获新生的三人决心返回校园，利用新得到的能力重振雄风。 　　一些令人担忧的迹象表明，虽然表面和常人无异，但菲利普一行人早已经不是“人类”了，其中“症状”最严重的要数柯纳德，他吃生肉，饮鲜血，俨然一幅丧尸的模样，最终甚至攻击并吃掉了一名教师，知道这时菲利普和沃斯特才意识到，如果不能“重新做人”，他们的下场都将和柯纳德一模一样。

21-22赛季德甲第33轮 弗赖堡VS柏林联合

5月7日 21-22赛季德甲第33轮 弗赖堡VS柏林联合