2023年09月16日 沙特联联赛 利雅得新月vs利雅得体育

金钱游戏

该剧讲述围绕着卖掉投入大量公共资金的廷仁银行（政府持股50%）而发生的纠葛的故事。将描写想把银行转手给国内其他单位的人们和想把银行卖给海外私募基金的人们之间的争斗。由《付岩洞复仇者们》《春天来了，春天》金相浩导演执导，李英美编剧执笔，预计下半年播出。

曼谷复仇夜

一个名叫凯（马克·达卡斯科斯）的杀手飞到曼谷，拿了把枪，叫了一辆出租车。他给了一个职业女司机一大笔钱让他当他的通宵司机。但当她意识到凯在每一站都犯下残忍的谋杀案时，就已经来不及离开了。与此同时，一名另类的警探（凯恩·科苏吉）在更多的鲜血被洒出来之前竞相破译这一连串的谋杀案。

青铜匕首

1934年，军阀混战，陕西靖镇的石家意外地发现了一支青铜匕首，而种种迹象表明，这很可能是“荆轲刺秦”使用过的那一件。石家的父亲遂将匕首秘藏。哪想靖镇从此永无宁日：声名狼藉，以游克文为首的凤翔军阀前往搜寻。于是，没有在荆轲手中完成刺杀任务的青铜匕首在沉睡了两千年后苏醒，而伴随其重生《青铜匕首》海报的是更为可怕的嗜血的欲念。围绕着对青铜匕首的争夺，石家的父亲、大嫂，石家兄弟的恩师穆识子父女皆惨死在匪首游克文的手中。石多哥、石有书两兄弟由此展开了殊途同归的复仇计划。十年间，弟弟石多哥从一个怀有满腔义愤的莽撞少年成长为训练有素、果敢刚毅的抗日刺客。而哥哥石有书却令人迷惑地以造假的方式试图消解青铜匕首的价值，并在这个过程中由沉迷而沉沦。石有书近乎变态的心理使他与石多哥的人生之路大相径庭，以至于最终葬送了他费尽心机从弟弟手中抢夺来的爱人云妹儿的生命。夹在兄弟间的云妹儿温顺隐忍，却被命运捉弄，与真心恋人石多哥擦肩而过，最终成为石有书的太太。最后关头，她只得带着青铜匕首，对命运做出绝地反抗，以此祭奠她与石多哥今生无果的不了情——真正的青铜匕首还会出现吗？那将是一个无尽的、发人深省的国宝之谜——

李金镛传奇之龙虎斗

　　故事，是在金矿局顺利进展之时展开，热火朝天的繁忙景象，带来了喜悦，也带来了地方势力的嫉妒。将军府恭堂手下胡子出身的德英借剿匪之意，以查办流民之名，扰乱漠河金矿局工作的进行，私下里欺压矿工，搜刮民商，酷刑逼供。一心想从李金镛手上夺取金矿的德英，设计陷害并试图杀害李金镛，杀机暗藏。在对抗中，几经波折，德英横行霸道，欺压行恶，在揭露罪恶之时，逃之夭夭。李金镛带人在墨尔根将其追捕并关押在刘知县牢房，事后准备前往将军府与恭堂大人见面，并说明此事。未料到墨尔根县衙的刘知县胆小怕事，在李金镛前往之前将德英及手下王麻子放走，导致李金镛在将军府被恶人先告状并将其抓入大牢。在危急时刻，李金镛手下宋友梅在李金庸抓德英前安排到中堂大人那述说此事并带手谕为李金镛等解围，将案子返回正义。王麻子被恭堂大人做了德英的替罪羊，处死在将军府，德英回去又重操旧业，做回胡子。不甘心的德英带匪徒袭击李金镛，不巧被内疚的刘知县带人解救，最后德英丧身悬崖。

亲爱的吾兄 下饭版

该剧根据《家兄又在作死》小说改编，讲述了聪慧软萌的天才少女时夏，为了寻找失踪哥哥意外来到陌生的仙侠世界，与妹控哥哥魔尊时冬和玉华派太上老祖后池之间发生的搞笑温情的相处日常，自此展开了一段两个哥哥共同“守护”妹妹的爆笑故事。

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

6月5日 22-23赛季西甲第38轮 巴拉多利德VS赫塔费

1月25日 22-23赛季NBA常规赛 黄蜂VS太阳.

我的绅士时尚

外表平凡的上班族段田一郎（泷藤贤一 饰）通过多年打拼，终于如愿当让了营业部的课长。与举止优雅、潇洒迷人的上司伊达次郎（前川泰之 饰）相比，他这个小领导可谓灰头土脸，毫无魅力。偶然听到了女员工对自己的评论，再加上心仪的女孩宫本南（石桥杏奈 饰）关于喜欢绅士气质男性的言论，让段田痛下决心，一定要改头换貌变成真正的绅士。但是绅士可不光光砸钱那么简单，他偶然走进了美幸女士（森口瑶子 饰）经营的名为“M夫人”的奢侈品商店，不仅如愿买到了高端的手表、钢笔、皮包、鞋子，还了解到这些传奇商品背后的故事。 　　绅士段田课长，面貌一新重入职场……

铜皮铁骨方世玉

少林习武归来的方世玉(王昭 饰)，本打算过平常人的生活，但刚回到家乡肇庆便牵扯到一桩贪腐案中。朝廷贪官的爪牙鄂尔多(一龙 饰)带队杀人灭口并企图销毁证据，面对好友周蓉(侍宣如 饰)的惨死，母亲苗翠花(刘玉翠 饰)被擒为人质，方世玉面无惧色，与雷婷婷(彭渤 饰)决意反抗到底......

我的野蛮格格

新月格格常常打抱不平，福王爷听从管家的建议，让格格去学堂读书。新月格格大闹学堂，新来的老师方南为了保住饭碗，只能忍受新月格格的捉弄。两个人不打不相识，成为了一对欢喜冤家。