护花狂龙

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2023年06月28日 中甲联赛 石家庄功夫vs上海嘉定汇龙

妖怪公寓的幽雅日常

稻叶夕士（阿部敦配音）是刚刚考入了东条商校就读的一年级男生，因为童年时代的不幸遭遇，稻叶一直以来都寄宿在亲戚的家中，过着寄人篱下的生活。如今，考上了寄宿制的高中，稻叶对未来自由的生活充满了憧憬。稻叶搬进了名为寿庄的公寓里，让他没有想到的是，这并不是一间普通的公寓，而是妖怪和人类混居的妖怪公寓，稻叶的房东，就是一只外表如同黑色企鹅一般的妖怪。克服了刚开始的恐惧心理，稻叶开始了和妖怪们的同居生活，随着时间的推移，稻叶发现这些外表诡异的妖怪们，实际上拥有着善良的内心。它们的存在渐渐治愈了稻叶心中的伤痕。

机动新世纪高达

死亡珍珠

OneofmypersonalfavouritesoftheSherlockHolmescycleofmoviesstarringBasilRathboneandNigelBruce.ThistimeHolmesistryingtothwartagangfromstealingapricelesspearl.WegettoseeHolmesdressupasabefuddledclergyman,outwitafunnyInspectorLestrade,andmeetRondoHatton’sCreeper,akillerthatbreaksthebacksofmenwithhisveryhands.Basedonthestory"TheCaseoftheSixNapoleons,"HolmesmustlocatethepearlthathasbeenembeddedinabustoftheFrenchemperor.RathboneandBruceareagainveryaffableandturnintheircustomarygoodperformances.DennisHoeyasLestrade,Ibelieveveryundervaluedinthatrole,injectsalotoflifeintothisone.AndHatton,ofcourse,justfilmedbyhisshadowuntiltheend,isaconvincingfilmpresence.ThrowinlovelyEvelynAnkersasawomanouttooutwitHolmes,andyouhaveagoodmix.

请你原谅我

1977年恢复高考之后，陇口镇知情徐天（吴秀波饰）与女友吴晴（吴越饰）的异地恋也有了转机。吴晴的母亲得知女儿怀孕之后，逼着女儿与徐天约法三章：徐天只有考上大学，挣到一千块钱，才能娶吴晴为妻。这令徐天倍感压力。高考当日，他与哥们费兵邂逅了美术考生梅果（董洁饰），后者的书包被小偷掠走，徐天拼命去追，追到的包里有一千块钱。徐天一念之差，丢掉了梅果的准考证。与高考失之交臂，令梅果发疯不能自已，愧疚的徐天一直照顾她。几经周折，吴晴和同事陆秦生都考入医科大学。但徐天因与村支书闹僵而成绩作废，吴晴气得绝望。陆秦生几次带话，令徐天忍无可忍，他登门来访，却听吴晴说已经堕胎。悲愤之下，两人婚事告吹。徐天来到棉纺厂工作，令厂花何佳（海清饰）为之心动，后者一直付出，而徐天却在吴晴与梅果的情感中纠结。某天，徐天偶然遇见了一位中年人（张嘉译饰），后者赠他《心经》金句，成为他命运的转折……

立地成魔

　　John Day is a bank manager and lives with his wife Maria Day. The couple has recently lost their only daughter. Maria is always depressed and never opens up with anyone. One day when John is away for office work, a courier-boy enters the house and takes Maria as a captive, then a series of misfortunes start to happen.

康熙王朝

　　清朝顺治十八年，天花在皇宫蔓延，顺治帝的董爱妃因此一命呜呼，顺治因痛不欲生而决意出家。此时，清帝国充满了内隐外忧。危急之际，孝庄太后（斯琴高娃 饰）当机立断，将得了天花初愈的年仅八岁的皇子玄烨力推为皇室继承人，康熙皇帝登基了。康熙（陈道明 饰）即位以后，手握兵权的鳌拜以权相逼，孝庄太后为了大局也只好暂时放权让鳌拜亲政。鳌拜的野心并不止亲政，他最终目标是图谋改朝换代，少年康熙机智过人，先以终日和一班少年嬉戏放松鳌拜警惕，随后邀约鳌拜进宫而乘机将其软禁，终于为大清除了一大隐患，保住了江山。随后，康熙更是励精图治，向隐忧以久的三藩开刀，开始一段除乱安内的康熙之治！

猫和老鼠2014第一季

还记得那只蓝色腹黑的大猫汤姆和身形轻巧、聪慧机敏的小老鼠杰瑞吗？自20世纪60年代诞生以来，经创始人威廉·汉纳（William Hanna）与约瑟夫·巴伯拉（Joseph Barbera），以及继任者查克·琼斯（Chuck Jones）等动画名家之手，这两个调皮捣蛋的小家伙和他们的朋友们在银幕、荧屏之上留下了无数经典搞笑的精彩瞬间。他们联袂演出，获得过七项奥斯卡大奖，成为了华纳旗下当之无愧的看家明星。在过去的半个多世纪，汤姆和杰瑞培养了一代又一代忠实影迷。进入2014年，令坚实粉丝们振奋的消息传来。汤姆和杰瑞全新制作的新番上阵，这两个活宝自然不会缺席，而大狗斯派克、黑猫等老朋友也会悉数登场。总共52部全新短片上映，久别重逢的老朋友们将为我们带来新的快乐和感动！

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

指定被害者

心理医生罗威与未婚妻姚雨薇因在火锅店外接到一个奇怪电话而逃过火锅店爆炸。免于死亡的他们却身陷随后的一系列奇异死亡事件中。随着罗威一步步的调查揭秘，他发现死亡的源头竟然是自己在一家书店买了一个奇怪的笔记本，当罗威再次陷入诡异爆炸事件中时，他突然醒来，发现自己被困在一间实验室里，更可怕的是他发现自己并不是罗威，所经历的一系列可怕事件，都是关于惩罚和自我救赎的死亡体验。

乱世有情人

二战期间，英国姑娘夏洛特与法国飞行员彼特一见钟情，两人很快堕入了爱河。然而厄运降临，皮特驾驶的飞机被德军击落了，从此下落不明。为了寻找爱人，夏洛特改名换姓来到了前线——法国南方。在那里，她加入了法国地下抵抗组织，邂逅了地下组织的骨干朱利安。于是，夏洛特对外的身份就是朱利安的管家，暗地里和他一起从事地下抵抗活动，她在行动中英勇坚强，拯救了许许多多被纳粹迫害的犹太人。夏洛特和朱利安的日久相处中，两人渐渐产生了一份情愫...